Britney Oops I Did It Again Bpm
| Oops!... I Did It Again | ||||
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| Studio anthology by Britney Spears | ||||
| Released | May three, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Length | 44:37 | |||
| Label | Jive | |||
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Once more is the 2d studio album by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More than Time (1999), information technology is a pop, dance-pop, and teen pop record, the album incorporates a more funkier and R&B sounds. [ane] Contributions to the anthology's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[two]
Upon its release, Oops!... I Did Information technology Again received positive reviews from music critics, who praised its production, sonic quality and Spears' song performance. The anthology became a massive commercial success, debuting at number ane in over twenty countries while peaking inside the top v in diverse other. In the United States, it debuted at number 1 on the Billboard 200, with beginning-week sales of one.39 1000000 copies, becoming the fastest selling anthology by a female artist since Nielsen SoundScan began tracking point-of-sale music purchases in 1991.[3] This tape was broken xv years later by Adele'south 25, which sold over iii.38 1000000 copies in its first week of release.[4] It became Spears' second consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten million copies in the United States, making Spears at age 18 the youngest artist to have multiple diamond albums.[five] With worldwide sales of over 20 1000000 copies,[6] Oops!... I Did It Once again is 1 of the best-selling albums of all-time.
4 singles were released to promote the album. Its championship track was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the Usa Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Frg, Sweden and Switzerland, inside the elevation ten in Commonwealth of australia, Kingdom of belgium, Canada, Denmark, Republic of ireland, Italy, holland, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number xx-three on the United states Billboard Hot 100. Its 3rd unmarried, "Stronger", reached the top 10 in Republic of austria, Republic of finland, Frg, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number eleven on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Australia, Denmark, Federal republic of germany, New Zealand, Sweden, and the United states. Its final unmarried, "Don't Allow Me Be the Last to Know", was moderately successful on the charts, peaking at number 1 in Romania, and within the height 10 in Austria, Poland, and Switzerland, simply failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and laurels ceremonies, including a controversial operation at the 2000 MTV Video Music Awards. She also was the host and musical invitee for the first time on Saturday Dark Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Bout, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.
Recording and production [edit]
"When I did the first album, I had merely turned 16. I mean, when I look at the album cover, I'm like, 'Oh, my lordy.' I know this next album's going to be totally different--especially the fabric. I just got finished recording the beginning six tracks in Sweden two months ago, and the material is so much more funkier and edgier. And, of course, it's more mature because I've grown as a person too."
—Spears on the progression of her material for the album.[7]
After vacationing for six days following the completion of the ...Baby I More Time Tour in September 1999,[8] Spears returned to New York Urban center to begin recording songs for her side by side album; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did It Again", "Walk on Past" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Get Knockin' on My Door" were the first to be recorded at Martin'southward Cheiron Studios in the first week of Nov; followed by "Stronger" and "Lucky", which were finalized (forth with the title runway) in Jan 2000. Spears recorded "Don't Let Me Exist the Concluding to Know" at Robert Lange's villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are Yous Now" was an outtake from ...Infant One More Fourth dimension. "Girl in the Mirror" and "Can't Make Yous Beloved Me"'s instrumental rail and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking upward with producer Steve Lunt to record Diane Warren's "When Your Optics Say It" at Bombardment Studios on Friday, January 28, 2000, which preceded her TRL appearance that twenty-four hour period. "One Kiss from You" was likewise recorded at Bombardment Studios only was later finished at 3rd Floor in New York Urban center. Spears also recorded the last rail for the anthology "Honey Diary" which would later on be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Can't Become No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 later attention the 42nd Annual Grammy Awards.[thirteen] [fourteen]
By January, the and then-untitled anthology was halfway to completion; Spears had worked on information technology primarily in the United States and Sweden, and finalized material in New York City.[9] She was heavily pressured after ...Babe One More Time 's huge commercial success, stating: "Information technology'southward kind of hard following ten million, I take to say. Only afterward listening to the new material and recording information technology, I'm really confident with it."[15] Upon the release of Oops!...I Did Information technology Again, Spears said: "I mean, of course there's some pressure", and added: "Simply in my opinion, [Oops!] is a lot improve than the outset album. It'south edgier – it has more of an attitude. Information technology's more me, and I think teenagers will chronicle to it more." Geoff Mayfield, director of Billboard charts, added that the conclusion to release Oops!... I Did It Over again less than a twelvemonth and a one-half after Spears' debut amounts to "very smart timing. My philosophy is when yous take a young fan base, go 'em while they're hot."[xvi]
Music and lyrics [edit]
Oops!... I Did It Once more was considered as a sequel to Spears' debut anthology, ...Baby One More Time (1999),[one] percolating with a carefully measured alloy of familiar pop, funk, R&B and power balladry.[17] Spears said during an interview that the album has a more than mature, R&B-flavored popular sound. "Information technology'southward not something I changed purposefully", Spears said of the anthology'southward sound and added: "It'south only something that kind of changed on itself with me beingness older. My voice has changed a petty bit and I'm more confident, and I retrieve that comes across on the textile."[7] I of its producers, Rodney "Darkchild" Jerkins talked virtually working with Spears on a Rolling Stones encompass, stating: "It's going to stupor everybody", adding: "It has flavors of the original, but it's a directly 2000 version — new to the ear. Which I think is cool, considering people who appreciate that song are going to dear it. And I fabricated it so new and young that the young kids that love Britney are going to dearest information technology. It's going to catch both a mature and young audience."[18] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When y'all hear the song, it's and then pure and delicate. It'southward just 1 of those songs that pull you in", and added: "I think they wrote information technology 'specially for me, considering the lyrics of the vocal, if you really listen … they're more of what I tin can relate to, 'cause they're kind of immature lyrics, I think. I don't recollect Shania would probably sing some of the words that I'm saying."[eighteen]
The title rail and opening song, "Oops!... I Did It Over again", was compared to her debut single, "...Infant One More Time" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat out. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you retrieve I'm in beloved/That I'k sent from above — I'm not that innocent."[xix] The song besides breaks downward for a spoken-word interlude, involving a line from the picture Titanic (1997).[xix] The second rails "Stronger" is a synthpop[20] and R&B-infused track,[eighteen] which is lyrically a announcement of independence, where Spears leaves a partner who treats her like belongings.[21] The line "my loneliness own't killing me no more than" makes reference to the verse "my loneliness is killing me" from her song "...Infant I More than Time".[18] Another R&B-infused track, which too adds a bit more than funk to the mix,[18] "Don't Get Knocking on My Door" finds Spears confidently forging ahead later a breakup.[21] The fourth rails, a cover of the Rolling Stones' "(I Can't Go No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[22] The dance-pop version besides jettisons the song's final verse and adds some new lyrics[18] ("how white my shirts could exist" becomes "how tight my skirt should be").[23] "[It] was my idea [to tape the vocal]", Spears said. "I was just similar, 'I like this song,' and I think information technology will be a really absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky song like that."[24] The fifth track, "Don't Let Me Be the Last to Know", was co-written by state-pop singer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who too produced the rails.[18] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears allowing a bit of land twang into her vocals equally she begs a lover to reveal his feelings: "My friends say you're into me ... but I demand to hear it straight from yous", she sings.[18]
The sixth rails "What U See (Is What U Get)" demands respect past rebuking a jealous partner,[21] while the seventh rails, "Lucky", is a heart-rending tale of a Hollywood starlet's loneliness, proving that fame can be empty.[21] "If there's nada missing in my life/Then why practice these tears come up at night?", she asks.[twenty] "School crush" is the theme of "One Kiss from You",[21] a rail that has a reggae-fashion trounce and lyrics about the feelings of falling in dear, and the quickness of it,[25] with Spears cooing that subsequently only one kiss she sees her unabridged futurity with her lover.[26] The ballad "Where Are Y'all Now" talks almost wanting to know where a previous honey is, and what that person is upwardly to, so that she tin can finally let them go and find closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop song,[22] state that fancy cars and money pale in comparison to true love,[21] with Spears singing: "I'one thousand just a girl with a crush on y'all."[22] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a cord section with a loping hip hop beat,[18] while Spears makes her own songwriting debut on the pocket-size, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the rail, she sings of wanting to go "so much more than than friends" with a boy.[xviii]
Release and promotion [edit]
In late 1999, Spears promoted her upcoming anthology in Europe with alive performances of her past songs. She appeared on Smash Hits in the Uk.[27] In Italia, she did a short interview on the television evidence TRL Italia in early 2000.[27] and gave a surprise operation in Paris in May 2000.[28] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[27] In Spain, she gave an interview with El Rayo on September viii and Oct 24.[27] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Loonshit. She was accompanied by NSYNC, who toured with her during a short United Kingdom outing in October 2000.[28]
Oops!... I Did Information technology Again was first released in Japan on May three, 2000, and was afterward released in the United States on May 16. In the United States, Spears appeared on Sat Night Alive on May 13, The Rosie O'Donnell Show on May 15, and Teen People's 25 Under 25 on May 26.[29] On May ten, she was interviewed on Belatedly Night with Conan O'Brien.[27] On May xiii, Spears was both the host and musical guest on NBC's Sat Night Alive. She also performed on NBC's The Tonight Show with Jay Leno on May 23.[30] Spears' held her mail service-TRL listening party, "Britney'due south First Mind", on May 16, and was toast the arrival of her anthology on adjacent Tuesday'south installment of TRL that started at 3:thirty p.thousand. (ET).[31] On May fourteen, she was at Times Square studios for two hours of "Britney Live" that started at noon.[31] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was broadcast on July nineteen, 2000.[27] On September 7, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[32] which included a cover of the Rolling Stones's hit single "(I Can't Get No) Satisfaction" (1965) and her ain hit "Oops!... I Did It Again", released earlier that twelvemonth. While she began her segment in a black suit, she shocked the audience and the media while, at just the age of xviii, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[33] I month earlier the release of the album, Spears headed to Hawaii on Easter Sunday so she could tape a Fob television special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[34] The Fox concert issue was intended to serve every bit a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[34] Spears had on a month-long international promotional tour in support of Oops!... I Did It Again, and on May two, she had a press result at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[35] Spears was besides among the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at eight p.thousand. (ET/PT).[36] She was also expected to appear on a Grammy-day TRL.[36]
The album's supporting tour, the Oops!... I Did It Again Tour, visited North America, Europe, and Brazil as part of Stone in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Permit Me Be the Terminal to Know". On June 24, 2000, Spears was featured in a print and television advertisement campaign for Clairol'south Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain vocal for the brand called "I've Got the Urge to Herbal" that was featured in sixty-second radio spots and was part of a pre-concert video presentation for Spears's 50-city summertime concert tour, in which Herbal Essences was the tour sponsor.
Singles [edit]
"Oops!... I Did Information technology Once more" was released as the atomic number 82 single from the anthology and accomplished worldwide popularity. It became Spears's third top-ten hit unmarried on the United states of america Billboard Hot 100, peaking at number nine; even so, in comparison to the huge success of her debut single "...Baby 1 More than Fourth dimension", Jive Records considered "Oops!... I Did Information technology Again" a small-scale disappointment.[38] The song peaked at number one on the US Mainstream Top xl,[39] holding the record for the almost radio additions in one 24-hour interval. "Oops!... I Did Information technology Over again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[40] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in now-iconic cerise shiny catsuit, while she is visited by an American astronaut who hands her the fictional Heart of the Ocean jewel which Rose threw into the bounding main at the end of Titanic.[41]
The anthology's second single, "Lucky", was released on July 24, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Deutschland, Sweden and Switzerland, while reaching number v on the UK Singles Chart.[42] In the United States, "Lucky" only managed to peak at number xx-iii on the Billboard Hot 100 chart and at number nine on the Mainstream Top 40.[38] The "glittery" music video sees Spears equally the narrator and an actress named Lucky, who is a melancholy movie star and shows her conflicted relationship to fame.[43]
The third unmarried, "Stronger", was released on Oct thirty, 2000 and became the album's 2d highest-charting unmarried in the U.s., peaking at number 11 on the Billboard Hot 100 and number 1 on the Hot Unmarried Sales.[38] It reached number seven on the UK Singles Chart.[44] Its music video sees Spears catching her fellow cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[43] while the chair sequence in the video was inspired past Janet Jackson'southward video for "The Pleasure Principle".[45]
The quaternary and final unmarried, "Don't Permit Me Be the Terminal to Know", was released on March 5, 2001 and is one of Spears' favorite tracks of her career. In the United states, the vocal performed well beneath expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the elevation ten in Austria, Poland and Switzerland, while only missing the tiptop x in Deutschland, Republic of ireland, Sweden and the Uk, peaking at number twelve in all of them.[46] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional fellow, played past French model Brice Durand.[47]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say Information technology" was released in the United Kingdom in January 2001.[ citation needed ]
Critical reception [edit]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[49] |
| Review scores | |
| Source | Rating |
| AllMusic |   [1] |
| Billboard | favorable[17] |
| Christgau'southward Consumer Guide |  [50] |
| Entertainment Weekly | B[22] |
| Los Angeles Daily News | [51] |
| MTV Asia | 8/10[52] |
| NME | 8/10[twenty] |
| Rolling Stone |  [23] |
| Salon | favorable[53] |
| Sonic.net | [54] |
Oops!... I Did Information technology Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[55] Giving the album iv out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy trip the light fantastic toe-pop that made 'One More Time'," merely remarked that, "Fortunately, she and her product team not only have a stronger overall prepare of songs this time, but they as well occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album character apart from the well-crafted trip the light fantastic-pop and ballads that serve as its heart. In the end, information technology's what makes this an entertaining, satisfying listen."[one] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't be conjured with a drinking glass-shattering notation," praising the album for consistently cast[ing] Spears equally a young woman coming to terms with her inner power—and that'southward a darn good message to offering an impressionable audience."[17] Amusement Weekly's David Browne gave the album a B-rating, writing that the album "reminds united states of america one time again that the all-time new pop tin can be a nail of cool air in a stifling room."[22]
Rob Sheffield of Rolling Stone gave the album a 3-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much better song-manufactory hooks than 'Due north Sync or BSB get", also noting that "the great thing about Oops!, under the cheese surface, is complex, fierce and downright scary, making her a true kid of rock & ringlet tradition."[23] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, human being form", commenting that "she'due south done information technology again."[20] Lennat Mak of MTV Asia named it "a bright second anthology", writing that Spears "is armed with a more than mature and seasoned pop star look, stronger and poppier songs, and of grade, extensive media exposure."[52] Andy Battaglia of Salon chosen the album "a masterpiece of sorts not for its message merely for the way it applies the conventions of the pop-musical medium."[53] Website The A.V. Order was more mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every plow and soliciting songwriting from such soulless hacks as Diane Warren and contrasted Swedes."[56]
Accolades [edit]
Commercial functioning [edit]
In the United states, Oops!... I Did It Once more reportedly sold 500,000 copies in its showtime day of release.[62] It debuted at number 1 on the Billboard 200 chart, with get-go-week sales of one,319,193 copies.[63] [64] [65] With its success, Spears held the record for the highest start-week sales by a female creative person.[66] This tape was held for xv years, merely to be surpassed in November 2015 by the album 25 past Adele, which sold over three.38 million albums in the United States in its offset week.[4] The album brutal to number 2 in its 2nd week, with additional sales of 612,000 copies.[67] It held this position for fifteen consecutive weeks.[68] [69] By its fifth week of availability, Oops!... I Did It Once more had sold over three million copies and had passed five million copies past Baronial.[70] On its seventeenth week on the nautical chart,[71] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[72] [73] The anthology spent eighty-four weeks on the Billboard 200, thirty-one weeks on the Canadian Albums Chart, and two weeks on the U.s.a. Itemize Albums.[74] Oops!... I Did Information technology Once more debuted at number fourscore-2 on the European Top 100 Albums, and rapidly peaked at number one;[75] information technology sold over iv meg copies inside the continent, being certified four-times Platinum by the International Federation of the Phonographic Industry.[76] Oops!... I Did Information technology Once more reached number two on the Great britain Albums Chart,[40] selling 88,000 copies in the showtime calendar week of release; information technology remained in the top v for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its get-go week.[77]
It topped the French Albums Chart[78] and the High german Offizielle Peak 100, besides being certified triple Platinum past the British Phonographic Industry (BPI),[79] double Gilded by the Syndicat National de l'Édition Phonographique (SNEP)[80] and triple Platinum past Bundesverband Musikindustrie (BVMI),[81] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the top twenty;[82] information technology became the fourteenth highest-selling of 2000 in the land and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following twelvemonth after shipping 140,000 copies to retailers.[83] [84] Oops!... I Did Information technology Again opened at number iii on the New Zealand Albums Chart and was certified Gold afterward just 1 week on the chart.[85] The Recording Manufacture Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[86] Oops!... I Did Information technology Again became the third acknowledged anthology of 2000 in the U.s.a., selling vii,893,544 albums according to Nielsen SoundScan[87] and 4th best-selling album co-ordinate to Billboard Year-End of 2000.[88] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Clan of America (RIAA).[89] [90] Likewise, the album landed at number twenty-7 on BMG Music Club all-time all-time-sellers list with i.21 1000000 units, behind Shania Twain'due south The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 million).[91] As of July 2009, the album has sold 9,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[92] Worldwide, Oops!... I Did It Once again sold ii.5 one thousand thousand copies in its first calendar week (second highest first calendar week sales by a female artist worldwide) and sold fifteen million copies by the end of the year. It was the best-selling female album and 3rd best selling album of 2000. The album has sold xx million copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance confronting Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Brand You Love Me" are "almost identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You Come across Is What You lot Get" in 1999 to one of Spears' representatives for consideration on a time to come album, though it was rejected.[93] The case was afterward dismissed later it was ruled that they lacked sufficient evidence and that there "weren't enough similarities between the two songs to evidence copyright infringement."[94]
Track list [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Over again" |
|
| 3:31 |
| ii. | "Stronger" |
|
| 3:23 |
| iii. | "Don't Become Knockin' on My Door" |
|
| 3:43 |
| 4. | "(I Can't Become No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Let Me Be the Final to Know" |
| Lange | 3:l |
| 6. | "What U See (Is What U Get)" |
|
| 3:36 |
| 7. | "Lucky" |
|
| iii:26 |
| eight. | "Ane Kiss from You" | Steve Lunt |
| 3:23 |
| 9. | "Where Are You lot Now" |
|
| four:39 |
| ten. | "Tin't Make You lot Love Me" |
|
| 3:17 |
| 11. | "When Your Eyes Say It" | Diane Warren |
| 4:29 |
| 12. | "Beloved Diary" |
|
| ii:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| 13. | "Love Diary" |
|
| ii:46 |
| Full length: | 48:24 | |||
| No. | Title | Writer(s) | Producer(southward) | Length |
|---|---|---|---|---|
| xi. | "When Your Eyes Say It" | Warren |
| iv:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Dear Diary" |
|
| 2:46 |
| Full length: | 52:33 | |||
| No. | Title | Writer(south) | Producer(s) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "You Got It All" | Holmes | White | 4:10 |
| 14. | "Heart" |
|
| 3:31 |
| 15. | "Dear Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Let Me Be the Last to Know" (Album version) | 3:fifty |
| two. | "Don't Let Me Be the Terminal to Know" (Hex Hector Radio Mix) | four:01 |
| 3. | "Don't Allow Me Be the Concluding to Know" (Hex Hector Club Mix) | 10:12 |
| iv. | "Stronger" (MacQuayle Mix Evidence Edit) | 5:21 |
| five. | "Stronger" (Pablo La Rosa'south Tranceformation) | seven:21 |
| half-dozen. | "Oops!... I Did Information technology Again" (Music video) | 4:11 |
| 7. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | iii:37 |
| nine. | "Don't Let Me Be the Last to Know" (Music video) | iii:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Oops!... I Did It Again" (Music video) | four:20 |
| 2. | "Lucky" (Music video) | four:14 |
| iii. | "Stronger" (Music video) | 3:47 |
| iv. | "Oops!... I Did It Again" (Karaoke) | four:17 |
| 5. | "Lucky" (Karaoke) | 4:18 |
| half-dozen. | "Stronger" (Karaoke) | three:46 |
| Full length: | 25:25 | |
Notes
- Rail 4, "(I Can't Get No) Satisfaction" is a comprehend of the 1965 Rolling Stones single.
- ^a signifies a vocal producer
Personnel [edit]
Credits adapted from AllMusic.[102]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, string arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Forest – assistant engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – assistant engineer
- Shane Stoneback – assistant engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Stonemason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art management, design
- Marking Seliger – back comprehend, cover photograph
- Larry "Stone" Campbell – bass, guitar, producer, pulsate programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – pilus stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken give-and-take
- Robert "Esmail" Jazayeri – keyboards, producer, pulsate programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Woods – keyboards
- Elan Bongiorno – make-up
- Johnny Wright – management
- Tom Coyne – mastering
- Nigel Light-green – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Colina – stylist
- Alfred V. Chocolate-brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Cistron Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – background vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – groundwork vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – background vocals
- Nina Woodford – background vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – groundwork vocals
Charts [edit]
Weekly charts [edit]
| Twelvemonth-end charts [edit]
Decade-end charts [edit]
All-time charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Run into also [edit]
- List of acknowledged albums
- List of best-selling albums past women
- Listing of best-selling albums in the United States
- List of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did It Again has sold 9,201,000 copies in the U.s. according to Nielsen SoundScan,[185] with boosted ane,210,000 copies sold at BMG Music Clubs.[91] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly popular in the 1990s.[92]
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- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato'due south 'X'-cellent Sales". Billboard . Retrieved May 27, 2012.
- ^ "American album certifications – Britney Spears – Oops". Recording Manufacture Association of America.
- ^ "Premios – 2000" (in Castilian). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Manufacture.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did It Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Over again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon.com Music
- ^ "Oops!... I Did It Again (Special United kingdom of great britain and northern ireland Edition)". AllMusic. October 9, 2000. Retrieved Baronial 31, 2021.
- ^ "Oops!... I Did Information technology Once again [Japan 2001 Bonus Tracks]". AllMusic. February thirteen, 2001. Retrieved Baronial 31, 2021.
- ^ "Oops!...I Did Information technology Again AUSTRALIA Special Edition w/Bonus Disc of Remixes And Videos". Tape Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did Information technology Once more Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Over again Limited Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Again 20th anniversary edition picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Merely Hits. Year by year. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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